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Web Log Archives: July 20, 2003 - July 26, 2003 Saturday, July 26, 2003
(Link snagged from ShanMonster.)
While the romance formula has developed over the years, the core elements haven't changed. The RWA's official definition dictates that every romance must have both a central love story and an emotionally satisfying and optimistic ending. There can be unromantic subplots and tragic subtexts, but the basic dialectic is holy. All adversity and romantic conflicts must be resolved in a happy-ever-after way; joy must be delivered to the heart of the reader. The delivery vehicles for this joy have diversified in recent years. Among the current subspecies of romance fiction are inspirational (i.e., Christian, no sex), paranormal (magic, science-fiction), regency (set in early 1800s England), suspense (mystery, intrigue) and time-travel romance. The more modern subgenres—chick-lit, mommy-lit and women's fiction—have even started to bump against the limits of the romance formula, dealing with antidepressants and Mr. Right Now more than with Mr. Right, but the RWA seems eager to claim these money-making new splinter movements as their own. One myth the RWA is anxious to dispel is that all romance is just softcore porn for housewives. And it's true that the amount and explicitness of the sex isn't static across genres. Harlequin's American Romance line deals with small-town values and themes (often on military bases), while the Harlequin Blaze series is described as "sizzling journeys to the edge and beyond." (Link snagged from Obscure Store.)
Found via this MetaFilter thread. Lots of the discussion there is tech-oriented, but another line deals with the titties themselves and standards of beauty: Boobies yes. Worth looking at? no, not really. I don't know if I really wanted to see that pair Well, I think her boobs are very, very nice. Man, there are a bunch of sourpusses around here. You're complaining about the quality of free boobies. Free boobies! I'd really like to see the high level of perfection of all the breasts you've previously interacted with, that you are now so picky. Jeez. (Plus, I think she's cute.) I suspect that if nude images of the guys who sneered got out on the internet, they'd be pretty horrified (and horrifying). (PS: get a realistic image of what a beautiful woman looks like. It has nothing to do with the siliconed women in your jerk magazines.) [responding to the first two posters quoted above] -- Howsabout you show us *your* tits, gorgeous? For some guys, putdowns add to the fun of girlwatching. Those guys are generally losers. Count me in the latter camp — I think she looks great, and seeing those photos added a tiny but welcome bit to the sum total of erotic pleasure in my life. Friday, July 25, 2003
"The night before the meeting convened in Denver, Madeleine Albright invited her Russian counterpart, Yevgeny Primakov, to a dinner at a local restaurant," Clinton wrote in a section of Living History recounting her time in Denver for 1997's Summit of the Eight -- including a meal at The Fort in Morrison. "She treated him to a regional delicacy called 'mountain oysters,' a polite term for deep-fried cow testicles." Maybe someone in the sold-out crowd at Hillary Clinton's book signing on Saturday, July 26, at the Cherry Creek Tattered Cover can let her in on this little-known fact: Only bulls have balls.
German academic Birgit Pretzsch and friends "kidnapped" a Lara Croft cutout display and played dressup. If you're so inclined you can also read Pretzsch's masters thesis, "A Postmodern Analysis of Lara Croft: Body, Identity, Reality", at this site.
Thursday, July 24, 2003
Wednesday, July 23, 2003
Tuesday, July 22, 2003
"This young intern ought to know that one must learn how to use spell-check before one is even allowed on the ladder," one veteran Congressional aide cracked about the climbing-the-ladder aspect of the correspondence. "Now he should really go fetch me a latte and fill the copier with some paper." The story is subscribers-only at the Roll Call website, but happily reprinted at the free-hosted fan site "Paul Kelly Tripplehorn, Jr. is Better Than You!!!!!!". Also check out the photo of Sen. Kay Bailey Hutchinson posing with her interns and try to guess which one is the email's recipient (PKT is the blond guy in the gray suit and yellow tie). Elsewhere, Flak has a fine satirical piece on Tripplehorn's surprising new assignment. More.
Monday, July 21, 2003
Fragrant River Hotel? Oh, come on. (Link snagged from Uffish Thoughts.)
Kim's "Pleasure Group" of female singers and dancers are a staple attraction at all-night banquets prepared by dozens of highly-trained chefs. On one occasion witnessed by Mr Fujimoto, Kim ordered the girls to strip naked, then made his guests dance with them, but warned them to go no further. "Dancing is okay but you can't touch. If you touch, it's theft," the Dear Leader told them. Kim, he writes, specifically forbade his underlings to sleep with members of the Pleasure Group. [...] Kim also considers himself a practical joker, summoning Mr Fujimoto the day after his wedding to inquire if he had any hair "down there". Mr Fujimoto then found that he had been shaved after drinking himself into a stupor and passing out. This article also details Kim's tastes in food and drink: "caviar from Iran and Uzbekistan, melons and grapes from China, durian fruit from Malaysia, papaya from Singapore, bacon from Denmark and beer from the former Czechoslovakia." (Thanks, Jeremy.) Sunday, July 20, 2003
Elsewhere, Business 2.0 looks at Match.com's attempts to refine "what could be the industry's ultimate trade secret: a scientific method for helping customers find true love." Which calls to mind this Simpsons exchange (during a 1970s flashback to Apu's days as a computer science grad student wearing bellbottoms, paisley and sideburns; Frink is the scientist who talks like Jerry Lewis). Frink: Well, sure, the Frinkiac-7 looks impressive [to student] Don't touch it! [back to class] But I predict that within 100 years computers will be twice as powerful, 10,000 times larger, and so expensive that only the five richest kings in Europe will own them. Apu: Could it be used for dating? Frink: Well, technically, yes, but the computer matches would be so perfect as to eliminate the thrill of romantic conquest. Ha-ho-ha-hey-hoo. Thanks to the Simpson archive for the quotation.
Once, not so long ago, in a time sure to eventually occupy a mere footnote in art's larger story, a group of artists calling themselves Conceptualists undertook to replace the objet d'art with a flood of mostly terrible ideas. Puritanical in their disparagement of art's commodification, they reduced artistic practice to a series of largely self-referential actions, words, propositions, gestures and performances. Locking themselves into steel cabinets, crucifying themselves on Volkswagens, entreating their friends to shoot them with pistols, masturbating inside galleries, covering walls with meaningless writings and exposing themselves to third-degree sunburns, the Conceptualists embarked on a series of schizoid activities that they imagined would change the world. They didn't. Today, one encounters the watered-down legacy of Conceptualism everywhere, having been absorbed into the bedrock of contemporary art like acid rain. Among Conceptualism's positive influences is a social and political drift that has, over time, grown in complexity and doubt as it has discarded certainty and shrillness. On the negative side is the continued compulsion of certain artists to fetishize the notion of "process." A poor justification for thousands of aimless performances, bad photographs, long-winded videos and absurdly recondite textual exegeses, art that prizes its "processes" (read: methods of production) above everything else has in turn spawned what is perhaps the last stubborn redoubt of postmodernist art-think. Works like these are the ultimate excuse for purposely obscure, boring art and deserve a description befitting postmodernism's bogus tradition of meta-chatter: the post-boring. Right on, I hate that kind of art too. However, I very much enjoyed Cremaster 3, which Viveros-Fauné calls "simply a long, pretentious film that, despite a few memorable images, never manages to transcend its noxious sexual essentialism or make a bit of sense (or even counter-sense)." Barney's pre-Cremaster work sounds dubious. Barney's early performances, videos and sculptural props look not accidentally like homoerotic calisthenics for the four-eyed, epicene art gang. One such work is teasingly called Field Dressing (orifill): A buck-naked Barney is seen lowering and raising himself from the ceiling with the help of harnesses while filling his orifices—ears, nose, mouth, anus, penis—with petroleum jelly. Alas, I couldn't find photos of this performance on the internet. |
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