Francis Davis on jazz and homosexuality
Eminent jazz critic Francis Davis ponders why the jazz world is so uncomfortable with homosexuality, performers, audiences and critics alike.
In jazz the rule remains "Don't ask, don't tell." This attitude is ironic because the jazz subculture has been notoriously free and easy, ahead of the beat on most social issues. Safety in numbers may have as much to do as sensibility with drawing gay men to certain professions, like hairdressing and floristry. In general, the performing arts are another area in which the news that someone is gay hardly comes as a shock. But there are ways in which jazz and all of popular music have more in common with baseball than with theater or dance. (Jazz even has its own body of statistics, in the form of discographies, recording dates and musical lineups.) Despite a growing number of female instrumentalists, the audience for jazz remains overwhelmingly male, which perhaps explains why jazz itself remains an enclave of machismo.
Davis talks to several gay jazz musicians about their experiences, including vibraphonist Gary Burton, pianist Fred Hersch and singer/pianist Andy Bey.
